A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 144
... spirit ; the more complete its superiority and unity , and , consequently , the more unqualified its joy . There remains little in us , then , but that intellectual es- sence , which several great philosophers have called eternal and ...
... spirit ; the more complete its superiority and unity , and , consequently , the more unqualified its joy . There remains little in us , then , but that intellectual es- sence , which several great philosophers have called eternal and ...
Pagina 177
... spirit and is not assimilated by man ; something postulated for the convenience of exposition , while actually non - existent , since to exist also is a fact of the spirit . Intuitive knowledge is expressive knowledge . Independent and ...
... spirit and is not assimilated by man ; something postulated for the convenience of exposition , while actually non - existent , since to exist also is a fact of the spirit . Intuitive knowledge is expressive knowledge . Independent and ...
Pagina 471
... spirit of change , and the spirit of conservation . There can be nothing real without both . Mere change without conservation is a passage from nothing to nothing . Its final integration yields mere transient nonentity . Mere ...
... spirit of change , and the spirit of conservation . There can be nothing real without both . Mere change without conservation is a passage from nothing to nothing . Its final integration yields mere transient nonentity . Mere ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word