A Modern Book of Esthetics: An Anthology |
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Pagina xii
It was what Oswald Spengler calls it , the creation of a spiritual space , " wide and eternal , ” which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a ...
It was what Oswald Spengler calls it , the creation of a spiritual space , " wide and eternal , ” which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a ...
Pagina 39
Spiritual supremacy is the aim of the highest art , and there is no real genius without the desire for it . So we find in this pleasure in the possession of power the psychological foundation for all play which has higher intellectual ...
Spiritual supremacy is the aim of the highest art , and there is no real genius without the desire for it . So we find in this pleasure in the possession of power the psychological foundation for all play which has higher intellectual ...
Pagina 341
A similar reconciliation seems to me possible between the opposites " sensual " and " spiritual , ” " individual " and " typical . " That the appeal of Art is sensuous , even sensual , must be taken as an indisputable fact .
A similar reconciliation seems to me possible between the opposites " sensual " and " spiritual , ” " individual " and " typical . " That the appeal of Art is sensuous , even sensual , must be taken as an indisputable fact .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word