A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina xii
... spiritual space , " wide and eternal , ” which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
... spiritual space , " wide and eternal , ” which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
Pagina xii
... spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
... spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of copying we do not have a depth - experience ...
Pagina 39
... spiritual supremacy over his fellow- creatures . This suggestive effect is his real aim , for while it is true in a sense that the artist should not regard applause by the multitude , but listen rather to the voice in his own breast ...
... spiritual supremacy over his fellow- creatures . This suggestive effect is his real aim , for while it is true in a sense that the artist should not regard applause by the multitude , but listen rather to the voice in his own breast ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words