A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 295
... striving , endeavoring , and feel my striving succeed or gratify itself . Here I can say I feel myself active , striving , endeavoring , attaining the end - in my arm . But this activity does not , in the full sense , take place in the ...
... striving , endeavoring , and feel my striving succeed or gratify itself . Here I can say I feel myself active , striving , endeavoring , attaining the end - in my arm . But this activity does not , in the full sense , take place in the ...
Pagina 296
... striving is my striving . But just this striving of mine I feel in my arm . For this reason I can also say the arm strives downward . And when the arm sinks , then this striv- ing of the arm is realized . The sinking is therefore its ...
... striving is my striving . But just this striving of mine I feel in my arm . For this reason I can also say the arm strives downward . And when the arm sinks , then this striv- ing of the arm is realized . The sinking is therefore its ...
Pagina 297
... striving . Possibly I realize this striv- ing . I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of over- coming , the joy of succeeding . I feel all this actually . I do ...
... striving . Possibly I realize this striv- ing . I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of over- coming , the joy of succeeding . I feel all this actually . I do ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words