A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 295
... striving , endeavoring , and feel my striving succeed or gratify itself . Here I can say I feel myself active , striving , endeavoring , attaining the end - in my arm . But this activity does not , in the full sense , take place in the ...
... striving , endeavoring , and feel my striving succeed or gratify itself . Here I can say I feel myself active , striving , endeavoring , attaining the end - in my arm . But this activity does not , in the full sense , take place in the ...
Pagina 296
... striving is my striving . But just this striving of mine I feel in my arm . For this reason I can also say the arm strives downward . And when the arm sinks , then this striving of the arm is realized . The sinking is therefore its ...
... striving is my striving . But just this striving of mine I feel in my arm . For this reason I can also say the arm strives downward . And when the arm sinks , then this striving of the arm is realized . The sinking is therefore its ...
Pagina 297
... striving . Possibly I realize this striving . I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not ...
... striving . Possibly I realize this striving . I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word