A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 96
... style , his peculiar mode of thinking and feeling , and of expressing those feelings and thoughts . Why have mediocre artists no style ? For the same rea- sons that they are mediocrities . The particular character- istic of mediocrity ...
... style , his peculiar mode of thinking and feeling , and of expressing those feelings and thoughts . Why have mediocre artists no style ? For the same rea- sons that they are mediocrities . The particular character- istic of mediocrity ...
Pagina 356
... style . That is why the Zurbarán enthusiast , not knowing what to say , says that his pictures have “ char- acter , " just as Lucas or Sorolla , Dickens or Galdos have character but not style . On the other hand the eighteenth century ...
... style . That is why the Zurbarán enthusiast , not knowing what to say , says that his pictures have “ char- acter , " just as Lucas or Sorolla , Dickens or Galdos have character but not style . On the other hand the eighteenth century ...
Pagina 399
... style- course . Here , as in so many other matters , Goethe was the first to whom vision came . In his Winckelmann ... style , but the style that makes the type of the artist . . . . In the general historical picture of a Culture there ...
... style- course . Here , as in so many other matters , Goethe was the first to whom vision came . In his Winckelmann ... style , but the style that makes the type of the artist . . . . In the general historical picture of a Culture there ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words