A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina xi
... tendencies . These trends may be summed up as follows : 1. The transition from semi - imitation to the expression of values . 2. The reinterpretation of the rôle of beauty in art . 3. The reformulation of the differentia of art . 4 ...
... tendencies . These trends may be summed up as follows : 1. The transition from semi - imitation to the expression of values . 2. The reinterpretation of the rôle of beauty in art . 3. The reformulation of the differentia of art . 4 ...
Pagina 92
... tendency in this latter direction . Beauty no longer suffices for us . Indeed , for the last two thou- sand years something more has been required ; for even among the chefs d'oeuvre of the Greeks not a few owe their creation to a ...
... tendency in this latter direction . Beauty no longer suffices for us . Indeed , for the last two thou- sand years something more has been required ; for even among the chefs d'oeuvre of the Greeks not a few owe their creation to a ...
Pagina 301
... tendency or removes in me the obstacles to its realization . Now , every tendency is realized when the obstacles to its realization are removed , or , speaking in posi- tive terms , when the tendency is free , that is left to itself ...
... tendency or removes in me the obstacles to its realization . Now , every tendency is realized when the obstacles to its realization are removed , or , speaking in posi- tive terms , when the tendency is free , that is left to itself ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words