A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina xi
... tendencies . These trends may be summed up as follows : 1. The transition from semi - imitation to the expression of values . 2. The reinterpretation of the rôle of beauty in art . 3. The reformulation of the differentia of art . 4. The ...
... tendencies . These trends may be summed up as follows : 1. The transition from semi - imitation to the expression of values . 2. The reinterpretation of the rôle of beauty in art . 3. The reformulation of the differentia of art . 4. The ...
Pagina 19
... tendency is particularly conspicuous in games of motion and skill , for example , in playful speech exercises . Artistic virtuosity must never be an end in itself , as we have seen , but here too we always find a tendency to refine the ...
... tendency is particularly conspicuous in games of motion and skill , for example , in playful speech exercises . Artistic virtuosity must never be an end in itself , as we have seen , but here too we always find a tendency to refine the ...
Pagina 92
... tendency in this latter direction . Beauty no longer suffices for us . Indeed , for the last two thousand years something more has been required ; for even among the chefs d'œuvre of the Greeks not a few owe their creation to a ...
... tendency in this latter direction . Beauty no longer suffices for us . Indeed , for the last two thousand years something more has been required ; for even among the chefs d'œuvre of the Greeks not a few owe their creation to a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word