A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 92
Pagina xiv
For example , the " play theory ” of Lange and Groos , the " will to power theory "
of Nietzsche , the " wish - fulfillment ” theory of Freud and Parker , the "
objectification ” theory of Santayana , the “ emotionalist ” theory of Véron and
Tolstoy , the ...
For example , the " play theory ” of Lange and Groos , the " will to power theory "
of Nietzsche , the " wish - fulfillment ” theory of Freud and Parker , the "
objectification ” theory of Santayana , the “ emotionalist ” theory of Véron and
Tolstoy , the ...
Pagina 4
The play theory was brilliantly expanded in the writings of KONRAD LANGE (
1855 - ) , a professor of art history in the University of Tübingen . Taking his cue
from Schiller ' s theory of surplus energy , he maintained that both art and play
spring ...
The play theory was brilliantly expanded in the writings of KONRAD LANGE (
1855 - ) , a professor of art history in the University of Tübingen . Taking his cue
from Schiller ' s theory of surplus energy , he maintained that both art and play
spring ...
Pagina 477
( A critical account of leading theories of esthetics , with an elaboration of the
emotionalist theory . ) Encyclopædia Britannica : “ Æsthetics ” in XI , XIII , and XIV
Editions . Also Painting , Sculpture , Graphic Arts . ( Volumes published
separately by ...
( A critical account of leading theories of esthetics , with an elaboration of the
emotionalist theory . ) Encyclopædia Britannica : “ Æsthetics ” in XI , XIII , and XIV
Editions . Also Painting , Sculpture , Graphic Arts . ( Volumes published
separately by ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole