A Modern Book of Esthetics: An Anthology |
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Pagina 224
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Pagina 226
But it needed thought; and today the artist, like all other dwellers in the city, should repeat the words of that pure classicist, Spinoza: "Above all, as far as one can at the outset, one must find a way to cure the understanding and ...
But it needed thought; and today the artist, like all other dwellers in the city, should repeat the words of that pure classicist, Spinoza: "Above all, as far as one can at the outset, one must find a way to cure the understanding and ...
Pagina 310
Empathy can be traced in all modes of speech and thought, particularly in the universal attribution of doing and having and tending where all we can really assert is successive and varied being. Science has indeed explained away the ...
Empathy can be traced in all modes of speech and thought, particularly in the universal attribution of doing and having and tending where all we can really assert is successive and varied being. Science has indeed explained away the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole