A Modern Book of Esthetics: An Anthology |
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Pagina 224
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Romantic thought is not real thought , but a sentimental imitation or exercise of thought ; pseudo - classical sensibility is nothing but an intellectual pretense of feeling . It is really no paradox to say that romanticism in its ...
Pagina 226
But it needed thought; and today the artist, like all other dwellers in the city, should repeat the words of that pure classicist, Spinoza: "Above all, as far as one can at the outset, one must find a way to cure the understanding and ...
But it needed thought; and today the artist, like all other dwellers in the city, should repeat the words of that pure classicist, Spinoza: "Above all, as far as one can at the outset, one must find a way to cure the understanding and ...
Pagina 310
Empathy can be traced in all modes of speech and thought, particularly in the universal attribution of doing and having and tending where all we can really assert is successive and varied being. Science has indeed explained away the ...
Empathy can be traced in all modes of speech and thought, particularly in the universal attribution of doing and having and tending where all we can really assert is successive and varied being. Science has indeed explained away the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word