A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 273
... tion depends the whole color and feeling of our recogni- tion . Indeed , the fact that our recognition is more than a mere identifying and naming of the object , that it is an esthetic perception with a distinct emotional coloring ...
... tion depends the whole color and feeling of our recogni- tion . Indeed , the fact that our recognition is more than a mere identifying and naming of the object , that it is an esthetic perception with a distinct emotional coloring ...
Pagina 282
... tion , so that my final emotion is strongly modified by these unfavorable elements . Now it is a matter of experience that wherever dislike and repulsion are markedly present as components , the resultant esthetic emotion is not likely ...
... tion , so that my final emotion is strongly modified by these unfavorable elements . Now it is a matter of experience that wherever dislike and repulsion are markedly present as components , the resultant esthetic emotion is not likely ...
Pagina 450
... tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy ...
... tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words