A Modern Book of Esthetics: An Anthology |
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Pagina 73
Common to all these theories is the convic- tion that the imagination in its various forms , dream , day- dream , play and art , exists , not for the sake of cognition , but for the purpose of providing a vicarious satisfaction of ...
Common to all these theories is the convic- tion that the imagination in its various forms , dream , day- dream , play and art , exists , not for the sake of cognition , but for the purpose of providing a vicarious satisfaction of ...
Pagina 157
Art is thus synonymous , according to Croce , with intui- tion , expression , imagination , form , and lyricism , and is ) distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals .
Art is thus synonymous , according to Croce , with intui- tion , expression , imagination , form , and lyricism , and is ) distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals .
Pagina 450
And when within art a distinction is drawn between production and apprecia- tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its ...
And when within art a distinction is drawn between production and apprecia- tion , the chief honor usually goes to the former on the ground that it is " creative , " while taste is relatively posses- sive and passive , dependent for its ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word