A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 94
... true . The individuality of the author can never be excluded from a work , and choice of subject is frequently one of the points by which this individuality is most clearly indicated . It is true , of course , that elevation of ...
... true . The individuality of the author can never be excluded from a work , and choice of subject is frequently one of the points by which this individuality is most clearly indicated . It is true , of course , that elevation of ...
Pagina 146
... True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as some true ideas may be useful possessions or may be sources ...
... True , and the Beautiful " the term " Good " is ambiguous , since taken broadly it would include the Beautiful and the Useful , and , I suppose , even the True , in so far as some true ideas may be useful possessions or may be sources ...
Pagina 166
... true or false , asks a question that is without meaning , and commits an error analogous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
... true or false , asks a question that is without meaning , and commits an error analogous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word