A Modern Book of Esthetics: An Anthology |
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Pagina 94
Between two works which give evidence of equal talent - that is to say , of equal
facility to grasp the true accents and characteristics of nature , and equal power to
bring out both the inner meaning of things and the personality of the artist - we ...
Between two works which give evidence of equal talent - that is to say , of equal
facility to grasp the true accents and characteristics of nature , and equal power to
bring out both the inner meaning of things and the personality of the artist - we ...
Pagina 146
He points out that in the consecrated phrase “ the Good , the True , and the
Beautiful ” the term “ Good ” is ambiguous , since taken broadly it would include
the Beautiful and the Useful , and , I suppose , even the True , in so far as some
true ...
He points out that in the consecrated phrase “ the Good , the True , and the
Beautiful ” the term “ Good ” is ambiguous , since taken broadly it would include
the Beautiful and the Useful , and , I suppose , even the True , in so far as some
true ...
Pagina 166
knowledge . Conceptual knowledge , in its true form , which is the philosophical ,
is always realistic , aiming at establishing reality against unreality , or at lowering
unreality by including it in reality as a subordinate moment of reality itself .
knowledge . Conceptual knowledge , in its true form , which is the philosophical ,
is always realistic , aiming at establishing reality against unreality , or at lowering
unreality by including it in reality as a subordinate moment of reality itself .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole