A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 172
... unity from the will of the author , who for this purpose avails himself of an abstract plan or idea , or of extra ... unity are interesting in this connection ; they are first applied to the unity of " action " when they have been ...
... unity from the will of the author , who for this purpose avails himself of an abstract plan or idea , or of extra ... unity are interesting in this connection ; they are first applied to the unity of " action " when they have been ...
Pagina 378
... unity to which the esthetic object ( here the drama ) has been brought . The background fades ; the foreground ... unity or our whirling circle of im- pulses , as you like to phrase it . At any rate , out of that unity the soul does not ...
... unity to which the esthetic object ( here the drama ) has been brought . The background fades ; the foreground ... unity or our whirling circle of im- pulses , as you like to phrase it . At any rate , out of that unity the soul does not ...
Pagina 379
... unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this ...
... unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word