A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 172
... unity from the will of the author , who for this purpose avails himself of an abstract plan or idea , or of extra ... unity are interesting in this connection ; they are first applied to the unity of " action " when they have been ...
... unity from the will of the author , who for this purpose avails himself of an abstract plan or idea , or of extra ... unity are interesting in this connection ; they are first applied to the unity of " action " when they have been ...
Pagina 378
... unity to which the esthetic object ( here the drama ) has been brought . The background fades ; the foreground ... unity or our whirling circle of im- pulses , as you like to phrase it . At any rate , out of that unity the soul ...
... unity to which the esthetic object ( here the drama ) has been brought . The background fades ; the foreground ... unity or our whirling circle of im- pulses , as you like to phrase it . At any rate , out of that unity the soul ...
Pagina 379
... unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this ...
... unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words