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Pagina 172
struggle of several different states of the soul not yet unified, their stratification, or
mixture, their vacillating method, which obtains apparent unity from the will of the
author, who for this purpose avails himself of an abstract plan or idea, or of ...
struggle of several different states of the soul not yet unified, their stratification, or
mixture, their vacillating method, which obtains apparent unity from the will of the
author, who for this purpose avails himself of an abstract plan or idea, or of ...
Pagina 378
Thus the unity of a work of art makes of the system of suggested energies which
form the foreground of attention an impregnable, an invulnerable circle. Not only,
however, are we held in equilibrium in the object of attention; we cannot connect
...
Thus the unity of a work of art makes of the system of suggested energies which
form the foreground of attention an impregnable, an invulnerable circle. Not only,
however, are we held in equilibrium in the object of attention; we cannot connect
...
Pagina 379
another point of view it may be said that the unity of the object is constituted just
by the inhibition of all tendency to movement through the balance or centrality of
impulses suggested by it. In other words, the balance of impulses makes us feel ...
another point of view it may be said that the unity of the object is constituted just
by the inhibition of all tendency to movement through the balance or centrality of
impulses suggested by it. In other words, the balance of impulses makes us feel ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words