A Modern Book of Esthetics: An Anthology |
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Pagina 49
I have throughout this whole treatise spoken not of the idea but of the feeling of
being a cause . A conscious idea that we ourselves produce the appearance is
as little supposable during intense enjoyment as the idea , “ This is only a
pretense ...
I have throughout this whole treatise spoken not of the idea but of the feeling of
being a cause . A conscious idea that we ourselves produce the appearance is
as little supposable during intense enjoyment as the idea , “ This is only a
pretense ...
Pagina 192
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . . . . We should begin , I
am convinced , from the very simplest facts . Why do artists make different
patterns ...
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . . . . We should begin , I
am convinced , from the very simplest facts . Why do artists make different
patterns ...
Pagina 194
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole