A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 49
... whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the appearance is as little sup- posable during intense enjoyment as the idea , " This is only a pretense . " What ...
... whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the appearance is as little sup- posable during intense enjoyment as the idea , " This is only a pretense . " What ...
Pagina 192
... whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Pagina 194
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words