A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 192
... word has any meaning at all . . . . I can only say here that the first and main thing which the word suggests to me is the concernment of the whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity ...
... word has any meaning at all . . . . I can only say here that the first and main thing which the word suggests to me is the concernment of the whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity ...
Pagina 250
... word is unesthetic . Of its grosser abuse , patent in our chatter about " beautiful huntin ' " and " beautiful ... word does not necessarily connote any esthetic re- action whatever , and I am tempted to believe that in the minds of many ...
... word is unesthetic . Of its grosser abuse , patent in our chatter about " beautiful huntin ' " and " beautiful ... word does not necessarily connote any esthetic re- action whatever , and I am tempted to believe that in the minds of many ...
Pagina 308
... word Einfühlung , I have called Empathy . The German word Einfühlung , “ feeling into " -derived from a verb to feel oneself into something ( " sich in Etwas einfühlen " ) was in current use even before Lotze and Vischer applied it to ...
... word Einfühlung , I have called Empathy . The German word Einfühlung , “ feeling into " -derived from a verb to feel oneself into something ( " sich in Etwas einfühlen " ) was in current use even before Lotze and Vischer applied it to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words