A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 91
... word became general when the art par excellence was sculpture . To make it apply to the other arts , it was necessary to foist upon a series of extensions which deprived it of all accuracy . Language possesses no word more vague or less ...
... word became general when the art par excellence was sculpture . To make it apply to the other arts , it was necessary to foist upon a series of extensions which deprived it of all accuracy . Language possesses no word more vague or less ...
Pagina 192
... word has any meaning at all .... I can only say here that the first and main thing which the word suggests to me is the concernment of the whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on ...
... word has any meaning at all .... I can only say here that the first and main thing which the word suggests to me is the concernment of the whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on ...
Pagina 426
... word to express what is generally meant by it ; namely , that system of competition in the market which is indeed the only form which most people nowadays suppose that Commerce can take . Now whereas there have been times in the world's ...
... word to express what is generally meant by it ; namely , that system of competition in the market which is indeed the only form which most people nowadays suppose that Commerce can take . Now whereas there have been times in the world's ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word