sketch of a book on the subject. For the romantic period see Alfred Michiels, Histoire des idées littéraires en France au XIX® siècle, et de leurs origines dans les siècles antérieures, 4th ed., Paris, 1863. For Italy see G. A. Borgese, op. cit. § 3. For the early history of the distinction and classification of the arts see the literature quoted above in relation to Lessing, and his Laokoon, with notes by Blümner. For subsequent history, H. Lotze, Geschichte, cit., bk. iii.: Max Schasler, Das System der Künste auf einem neuen, im Wesen der Kunst begründeten Gliederungsprincip, 2nd ed., Leipzig-Berlin, 1881, introd.: Ed. v. Hartmann, Deutsche Asth. s. Kant, bk. ii. part ii. especially PP. 524-580: V. Basch, Essai sur l'esth. de Kant, pp. 483-496. § 4. For the doctrine of styles in antiquity see Volkmann, op. cit. pp. 532-566. The history of grammar and parts of speech is treated fully so far as Græco-Roman antiquity is concerned in Laur. Lersch, Die Sprachphilosophie der Alten, Bonn, 1838-1841: better still by Steinthal, Geschichte, cit. vol. ii. For Apollonius Dyscolus see Egger, Apollon Dyscole, Paris, 1854. For the history of grammar in the Middle Ages see Ch. Thurot, Extraits de divers manuscrits latins pour servir à l'histoire des doctrines grammaticales au moyen âge, Paris, 1869. For modern times, C. Trabalza, Storia della grammatica italiana, Milan, 1908. For the history of Criticism several books mentioned under § 2 may be consulted: in addition to these, B. Croce, Per la storia della critica e storiografia letteraria, containing Italian examples (Probl. d. est. pp. 419-448): for the theories of recent French criticism see Ém. Hennequin, La Critique scientifique, Paris, 1888, and Ernest Tissot, Les Évolutions de la critique française, Paris, 1890. On the concept of romanticism see G. Muoni, Note per una poetica storica del romanticismo, Milan, 1906: cf. B. Croce, Le definizioni del romanticismo, in Critica, iv. pp. 241-245 (reprinted in Probl. di estetica, pp. 285-294). "" Advocatus diaboli, 56 Applied knowledge, 55 theory of, 113 Aretino, P., 442 Ariosto, L., 136, 191, 196, 363, 473 Aristophanes, 160, 411, 421, 436 Aristotle, 41, 43, 92, 161, 165, 168, 169, 170, 173, 176, 178, 182, 220, 223, 227, 229, 236, 238, Armida, 102 Arnaud, 488 Arnauld, A., 210, 229 and science, 25 classifications of, 114, 449 seqq. no separate aesthetics of, 114 Ascetic view of art, 85 Asiatic style, 463 Association, æsthetic, 7, 104 linguistic, 144 Ast, F., 300, 345, 346 Astrology of æsthetic, 110 Attic style, 463 Attractive, the, 87 Aubignac, d', 257, 439 Blümner, 489 Bobrik, H., 338 Boccaccio, 57, 177 Bode, W., 483 Bodmer, J. J., 195, 199, 211 Boeri, A., 480 Boileau, N., 204, 211, 257, 343, 439, 445 Bonacci, G., 353 Bonald, L. G. A. de, 352 Bonatelli, 486 Bonghi, R., 435 Bonstetten, C., 350 Borgese, G. A., 482 Borgia, 57 Borinski, K., 184, 191, 192 n., 197 n., 211 m., 480, 481, 483 Bos, J. B. du, 196, 197 m., 203, 218, Bosanquet, B., 418, 476-477 Bouhours, 190, 193, 199, 200, 208, 445 Braitmaier, F., 247 n., 481 Breitinger, J. J., 195, 211, 218, 231, Brognoligo, G., 482 Brosses, C. de, 255 Brunetière, F., 449, 481, 488 Bruno, G., 442 Bruyère, la, 192, 343 Bryson, 173 Bücher, C., 401 Bucolics, 463 Bülffinger, J. B., 211, 217, 230 Burke, E., 259, 260, 287, 343 Byzantine art, 127, 138 Dacianus, 181 Dacier, A., 257, 439 Dacier, Mme., 198 Danckelmann, E. von, 482 Dante, 18, 53, 93, 117, 121, 124, 137, Danzel, T. W., 244 n., 284 n., 289 n., 290 n., 299 n., 338-339, 481, Decorative art, 36, 101 Decorous, the, 87 Deduction, 42 Defect, error of, 156 Degeneracy, 401 of expression, 67 Demetrius Phalereus, 427 Descartes, R., 204-211, 217 n. |