Aesthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1922 - 503 pagine |
Dall'interno del libro
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Pagina ix
... imagination and the intuitive intellect - Mystical Esthetic -Mortality and immortality of art 61 IX INDIVISIBILITY OF EXPRESSION INTO MODES OR DEGREES AND CRITICISM OF RHETORIC The characters of art - Non - existence of modes of ...
... imagination and the intuitive intellect - Mystical Esthetic -Mortality and immortality of art 61 IX INDIVISIBILITY OF EXPRESSION INTO MODES OR DEGREES AND CRITICISM OF RHETORIC The characters of art - Non - existence of modes of ...
Pagina xii
... imagination after Aristotle : Philos- tratus - Speculations on language 155 II ESTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE Middle Ages . Mysticism : Ideas on the Beautiful - The pedagogic theory of art in the Middle Ages - Hints ...
... imagination after Aristotle : Philos- tratus - Speculations on language 155 II ESTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE Middle Ages . Mysticism : Ideas on the Beautiful - The pedagogic theory of art in the Middle Ages - Hints ...
Pagina xiii
... Imagination and sensationalism : the corrective of imagination - Feeling and sen- sationalism . PAGE 189 IV ÆSTHETIC IDEAS OF THE CARTESIAN AND LEIBNITIAN SCHOOLS , AND THE " ESTHETIC " OF BAUMGARTEN Cartesianism and imagination ...
... Imagination and sensationalism : the corrective of imagination - Feeling and sen- sationalism . PAGE 189 IV ÆSTHETIC IDEAS OF THE CARTESIAN AND LEIBNITIAN SCHOOLS , AND THE " ESTHETIC " OF BAUMGARTEN Cartesianism and imagination ...
Pagina xiv
... Imagination in Kant's system - The forms of intuition and the Transcendental Esthetic - Theory of Beauty distinguished by Kant from that of Art - Mystical features in Kant's theory of Beauty IX THE ESTHETIC OF IDEALISM SCHILLER ...
... Imagination in Kant's system - The forms of intuition and the Transcendental Esthetic - Theory of Beauty distinguished by Kant from that of Art - Mystical features in Kant's theory of Beauty IX THE ESTHETIC OF IDEALISM SCHILLER ...
Pagina xxviii
... imagination , this first- born of the spiritual activities , mainstay of the others , generates everywhere else misunderstandings , uncertain- ties and errors : in Psychology as in Logic , in History as in the Philosophy of Practice ...
... imagination , this first- born of the spiritual activities , mainstay of the others , generates everywhere else misunderstandings , uncertain- ties and errors : in Psychology as in Logic , in History as in the Philosophy of Practice ...
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel distinct doctrine elements essay Esthetic existence expression faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hartmann Hegel Herbart Herbartian human ideal ideas imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle production psychological pure reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann
Brani popolari
Pagina 1 - Knowledge has two forms: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the intellect; knowledge of the individual or knowledge of the universal; of individual things or of the relations between them: it is in fact, productive either of images or of concepts.
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 9 - Every one can experience the internal illumination which follows upon his success in formulating to himself his impressions and feelings, but only so far as he is able to formulate them. Feelings or impressions, then, pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit.
Pagina 4 - We have intuitions without space and without time: the colour of a sky, the colour of a feeling, a cry of pain and an effort of will, objectified in consciousness: these are intuitions which we possess, and with their making space and time have nothing to do.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 20 - Not in the least: expression always arises directly from impressions. He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must...
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 3 - ... be observed something more important and more conclusive. Those concepts which are found mingled and fused with the intuitions are no longer concepts, in so far as they are really mingled and fused, for they have lost all independence and autonomy. They have been concepts, but have now become simple elements of intuition. The philosophical maxims placed in the mouth of a personage of tragedy or of comedy, perform there the function, not of concepts, but of characteristics of such personage; in...
Pagina 12 - We have frankly identified intuitive or expressive knowledge with the aesthetic or artistic fact, taking works of art as examples of intuitive knowledge and attributing to them the characteristics of intuition, and vice versa.