Aesthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1922 - 503 pagine |
Dall'interno del libro
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Pagina xi
... language - Origin 128 of language and its development - Relation between Grammar and CONTENTS xi.
... language - Origin 128 of language and its development - Relation between Grammar and CONTENTS xi.
Pagina xii
... languages - Impossibility of a normative Grammar - Didactic organisms -- Elementary linguistic facts , or roots - Esthetic judgement and the model language -Conclusion PAGE 140 II HISTORY OF ESTHETIC I ĘSTHETIC IDEAS IN GRĘCO - ROMAN ...
... languages - Impossibility of a normative Grammar - Didactic organisms -- Elementary linguistic facts , or roots - Esthetic judgement and the model language -Conclusion PAGE 140 II HISTORY OF ESTHETIC I ĘSTHETIC IDEAS IN GRĘCO - ROMAN ...
Pagina xiii
... language - J . C. Wolff - Demand for an organon of inferior knowledge - Alexander Baumgarten : his " Esthetic " -Esthetic as science of sensory consciousness - Criti- cism of judgements passed on Baumgarten - Intellectualism of ...
... language - J . C. Wolff - Demand for an organon of inferior knowledge - Alexander Baumgarten : his " Esthetic " -Esthetic as science of sensory consciousness - Criti- cism of judgements passed on Baumgarten - Intellectualism of ...
Pagina xv
... language - Schleiermacher's defects - Schleiermacher's services to Esthetic . 312 XII THE PHILOSOPHY OF LANGUAGE : HUMBOLDT AND STEINTHAL Progress of Linguistic - Linguistic speculation at the beginning of the nineteenth century ...
... language - Schleiermacher's defects - Schleiermacher's services to Esthetic . 312 XII THE PHILOSOPHY OF LANGUAGE : HUMBOLDT AND STEINTHAL Progress of Linguistic - Linguistic speculation at the beginning of the nineteenth century ...
Pagina xxviii
... language is the first spiritual manifestation , and if the ęsthetic form is language itself , taken in all its true scientific extension , it is hopeless to try to understand clearly the later and more complicated phases of the life of ...
... language is the first spiritual manifestation , and if the ęsthetic form is language itself , taken in all its true scientific extension , it is hopeless to try to understand clearly the later and more complicated phases of the life of ...
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel distinct doctrine elements essay Esthetic existence expression faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hartmann Hegel Herbart Herbartian human ideal ideas imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle production psychological pure reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann
Brani popolari
Pagina 1 - Knowledge has two forms: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the intellect; knowledge of the individual or knowledge of the universal; of individual things or of the relations between them: it is in fact, productive either of images or of concepts.
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 9 - Every one can experience the internal illumination which follows upon his success in formulating to himself his impressions and feelings, but only so far as he is able to formulate them. Feelings or impressions, then, pass by means of words from the obscure region of the soul into the clarity of the contemplative spirit.
Pagina 4 - We have intuitions without space and without time: the colour of a sky, the colour of a feeling, a cry of pain and an effort of will, objectified in consciousness: these are intuitions which we possess, and with their making space and time have nothing to do.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 20 - Not in the least: expression always arises directly from impressions. He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must...
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 3 - ... be observed something more important and more conclusive. Those concepts which are found mingled and fused with the intuitions are no longer concepts, in so far as they are really mingled and fused, for they have lost all independence and autonomy. They have been concepts, but have now become simple elements of intuition. The philosophical maxims placed in the mouth of a personage of tragedy or of comedy, perform there the function, not of concepts, but of characteristics of such personage; in...
Pagina 12 - We have frankly identified intuitive or expressive knowledge with the aesthetic or artistic fact, taking works of art as examples of intuitive knowledge and attributing to them the characteristics of intuition, and vice versa.