Enter the Body: Women and Representation on Shakespeare's StagePsychology Press, 2001 - 218 pagine Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy. |
Sommario
Body parts or parts for bodies speculating on Cordelia | 1 |
Snatched bodies Ophelia in the grave | 27 |
Shadowing Cleopatra making whiteness strange | 57 |
Designs on Shakespeare Troiluss sleeve Cressidas glove Helens placket | 104 |
Remembering Emilia gossiping hussies revolting housewives | 142 |
Notes | 178 |
| 202 | |
| 212 | |
Altre edizioni - Visualizza tutto
Enter The Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2002 |
Enter the Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2001 |
Enter The Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2002 |
Parole e frasi comuni
Achilles actors Antony and Cleopatra Ashcroft audience authentic Barton's bizarre black body Branagh's Caird Cambridge camera Charmian Cordelia corpse costume court cultural dark daughter dead death Desdemona designed Diomedes discursive dress early modern Egypt Egyptian Elizabeth Elsinore English erotic eyes face fantasy female film finally frame funeral gaze gender Gertrude gossip grave Gravedigger Greek Hamlet handkerchief Hector Helen Helen Mirren Hodgdon Iago Iago's Imogen Stubbs John King Lear Kozintsev Laertes Lear's legible London looking male Michael narrative Nunn Olivier opening Ophelia Othello Pandarus Patroclus performance photograph play play's players playtext politics Polonius production Queen remember Renaissance representation Sally Dexter scene sexual Shakespeare Birthplace Trust Shakespeare Centre Library shot space spectators speech stage story Stratford-upon-Avon tells theatre theatrical Trevor Nunn Trevor Nunn's Troilus and Cressida trope turns Ulysses University Press Wanamaker's Wanamaker's Emilia whore woman women Zoe Wanamaker