lum. He is represented holding the tablets containing the Commandments. The figure has a circular nimbus in brilliant gold. Moses is represented as a blonde, with the horns usually (and erroneously) shown in portraits of him made by medieval artists. He is clothed in a brilliant scarlet robe edged with brown fur. The tablets are in a brilliant blue, bearing the Commandments in the Dutch language in Gothic. The background is brown, with brilliant green tracery. The portrait is enclosed in a frame of bright gold, which is surrounded by a floriated border in red, blue, pink and gold. The miniature is of the best Flemish execution, and is of particular interest as having probably been painted soon. after the death of the brothers Van Eyck, who were natives of Maeseyck, especially as the general style is similar to the few works known to have been painted by Jan Van Eyck. The paper on which the manuscript is written shows two watermarks: one, the unicorn, the other, the Gothic initial letter P, surmounted by a quatrefoil. Maeseyck, circa 1475 See article "Horns" in Walsh. Handbook of literary curiosities. Philadelphia, 1893. Consult Sotheby. Principia Typographia. In this work are figured similar watermarks. [SEE ILLUSTRATION] 647. MANUSCRIPT of the XVth Century. Lectionary written on vellum. 170 leaves including one blank, double columns, 29 lines to a page. Decorated with several hundred painted initials in blue and red, with border scrolls, and 5 larger initials in gold and colors, the latter with elaborate border decorations of great lelicacy and beauty, the text throughout copiously emphasized in red. Small 8vo (41/4 x 6 inches), old half calf, gilt, marbled paper sides. Saec. XV A very desirable example of the 15th century workmanship, and apparently quite perfect. The decorations are of great beauty and delicacy. With ample margins and in excellent state of preservation. 648. MANUSCRIPT. L'Office de l'Eglise contenant Le Petit Office de la Vierge, les Sept Pseaumes Penitentiaux, et l'Office des Morts, et autres Priereu. Written on 175 vellum leaves; the Calendar in red, blue and gold. With 6 miniatures, representing the Angel's visit to Mary, the Visit of the Wise Men, David praying, John the Baptist in the Wilderness, etc. Nine of the pages are within a full illuminated border of flowers, fruits, scrolls and araDesque designs, and the remaining pages have similar illuminations either on one or both sides of the text. 12mo, full old calf, gilt back, gilt panelled sides, with the symbol of the flame in compartnents, and at the corners of the panels, gilt edges. Saec. XV A VERY INTERESTING MANUSCRIPT, written in Gothic characters, and containing in addition to the above mentioned decorations, hundreds of rich gold initials. 649. MANUSCRIPT. Horae Beatae Mariae Virginis ad usum Parisiensem cum Calendario. MS. on vellum of the XVI Century written in bold Gothic characters in red and black. 125 leaves Ornamented with 15 large and 17 small miniatures, with hundreds of illumined initials in red, blue, green and gold. 12mo, full brown morocco, gilt and blind tooled back and sides, gilt edges, by Zaehnsdorf. Saec. XVI A VERY BEAUTIFUL MANUSCRIPT, the miniatures, both large and small, being choice specimens of the work of this period. The large paintings include the Revelation to St. John, Christ praying in the Garden, the Annunciation, the Crucifixion, Christ at Bethlehem, the announcement to the Shepherds, the Visit of the Wise Men, the Flight into Egypt, ete. Among the smaller miniatures are: Saints Matthew, Mark, Luke, Jacob, Sebastian, Nicholas, Anna, Mary Magdalene, Katherine, Margaret, and others. The delicate execution and brilliant coloring of this handsome manuscript show that it was executed by an artist of great merit. The Saints in the Calendar comprise: Saint Genevieve (Jan. 3), St. Vincent (Jan. 22), St. Gertrude (March 12), St. Boniface (May 14), St. Bartholomew (Aug. 24), Katherine virginis (Nov. 25), Silvestre pape. (Dec. 31). With the bookplates of Nicolai Joseph Foucault, C. W. Loscombe and Alfred Trappell. 650. MANUSCRIPT. Armorial Grant to Guillaume Bouvier in the Reign of "Bloody Mary," written on parchment, with an initial letter depicting the pursuivant of arms, a large heraldic shield, the Order of the Garter, and a wide floral border. FRENCH MANUSCRIPT BY ROUSSELET Saec. XVI 651. MANUSCRIPT. Prieres de la Messe. Ecrites par Rousselet a Rennes. 76 pages, decorated with 2 full-page miniatures of Christ on the Mount of Olives and the Crucifixion, head and tail pieces of religious significance, initial letters in colors on a burnished gold ground, and other illuminations. 8vo, original black morocco, doublures of citron morocco, with fine pointille borders, corner pieces of silver. In a levant morocco case, by The French Binders. Late 17th Century A Magnificent Specimen of French penmanship and decoration, dome by Rousselet of Rennes, in the 17th Century. The miniatures are done in the exquisite fashion which was peculiar to a few artists of the period. Examples of the work of this school are rarely offered for sale. [SEE ILLUSTRATION] 652. MANUSCRIPT, PERSIAN, written in elegant characters on native glazed paper, each page within ruled borders of gold and blue, executed at the beginning of the 18th century. 168 leaves (658x414 inches), the last blank. Three pages surrounded by fine floral borders, and with ornaments delicately painted in variour colors and gold, and having the writing on a gold ground; also |