The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 70
... Dostoevski's novels and very little about their form . The extraordinary quality of the events and emotions this formidable writer describes has fas- cinated the critics and prevented them from pene- trating into what , at first sight ...
... Dostoevski's novels and very little about their form . The extraordinary quality of the events and emotions this formidable writer describes has fas- cinated the critics and prevented them from pene- trating into what , at first sight ...
Pagina 71
... Dostoevski's books are almost all extremely long . But the story that is told is usually quite short . Sometimes it takes two volumes to describe what happens in three days , indeed , in a few hours . And yet , is there anything more ...
... Dostoevski's books are almost all extremely long . But the story that is told is usually quite short . Sometimes it takes two volumes to describe what happens in three days , indeed , in a few hours . And yet , is there anything more ...
Pagina 73
... Dostoevski is pleased to have their ambiguity appear as unmiti- gatedly as in real life . And the reader ... Dostoevski's books , whatever their other qualities , have the rare virtue of never appearing sham and conventional . The reader ...
... Dostoevski is pleased to have their ambiguity appear as unmiti- gatedly as in real life . And the reader ... Dostoevski's books , whatever their other qualities , have the rare virtue of never appearing sham and conventional . The reader ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth