The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 100
... Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising that so elementary a law has guided the variations of pictorial art in our western world . Even more curious , and most disturbing , is ...
... Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising that so elementary a law has guided the variations of pictorial art in our western world . Even more curious , and most disturbing , is ...
Pagina 115
... Giotto . Not at all ! In the history of art there have always been eccentric movements tending toward the archaic ... Giotto ; they are , rather , antagonists . Giotto seeks to render the actual volume of each thing , its im ...
... Giotto . Not at all ! In the history of art there have always been eccentric movements tending toward the archaic ... Giotto ; they are , rather , antagonists . Giotto seeks to render the actual volume of each thing , its im ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth