The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 60
Hence the fresh taste of all impressionistic painting . We seem to see the objects
of the picture in a perpetual status nascendi . In the career of every thing there
are two moments of supreme drama : birth and death - status nascens and status
...
Hence the fresh taste of all impressionistic painting . We seem to see the objects
of the picture in a perpetual status nascendi . In the career of every thing there
are two moments of supreme drama : birth and death - status nascens and status
...
Pagina 80
Hence it appears that those elements which seem to disturb pure contemplation -
interests , sentiments , compulsions , affective preferences - are precisely its
indispensable instruments . Any human destiny that does not labor under an ...
Hence it appears that those elements which seem to disturb pure contemplation -
interests , sentiments , compulsions , affective preferences - are precisely its
indispensable instruments . Any human destiny that does not labor under an ...
Pagina 168
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |