The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
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Pagina 37
... ICONOCLASM It is not an exaggeration to assert that modern paintings and sculptures betray a real loathing of living forms or forms of living beings . The phe- nomenon becomes particularly clear if the art of these last years is ...
... ICONOCLASM It is not an exaggeration to assert that modern paintings and sculptures betray a real loathing of living forms or forms of living beings . The phe- nomenon becomes particularly clear if the art of these last years is ...
Pagina 38
... iconoclasm in religion and art would be of high interest . Modern art is obviously actuated by one of these curious iconoclastic urges . It might have chosen for its motto the commandment of Porphyr- ius which , in its Manichaean ...
... iconoclasm in religion and art would be of high interest . Modern art is obviously actuated by one of these curious iconoclastic urges . It might have chosen for its motto the commandment of Porphyr- ius which , in its Manichaean ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth