The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 57
... Stendhal pre- sents it in its immediate and patent reality . Now , an examination of the evolution of the novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict ...
... Stendhal pre- sents it in its immediate and patent reality . Now , an examination of the evolution of the novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict ...
Pagina 58
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
... Stendhal's greatness derives from the same cause . NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things ...
Pagina 73
... Stendhal . Le rouge et le noir , a biographical novel which relates a few years of a man's life , is composed in the form of three or four pictures , each proceeding within its bounds like an entire novel of the Russian master . In the ...
... Stendhal . Le rouge et le noir , a biographical novel which relates a few years of a man's life , is composed in the form of three or four pictures , each proceeding within its bounds like an entire novel of the Russian master . In the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth