The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 107
... Tintoretto and El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting ...
... Tintoretto and El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting ...
Pagina 108
... Tintoretto is an extreme ex- ample of this inner tension , in which distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ...
... Tintoretto is an extreme ex- ample of this inner tension , in which distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth