The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 87
By virtue of a purely aesthetic necessity the novel must be impervious , it must possess the power of forming a precinct , hermetically closed to all actual reality . From this condition there follows , among many other consequences ...
By virtue of a purely aesthetic necessity the novel must be impervious , it must possess the power of forming a precinct , hermetically closed to all actual reality . From this condition there follows , among many other consequences ...
Pagina 95
That a novel may , apart from this , be concerned with giving a psychological interpretation of actual social types and environments can provide an additional piquancy , but it is not essential . ( One of the points I am leaving ...
That a novel may , apart from this , be concerned with giving a psychological interpretation of actual social types and environments can provide an additional piquancy , but it is not essential . ( One of the points I am leaving ...
Pagina 133
This permits us to determine the degree of authenticity of his actual life . The matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation .
This permits us to determine the degree of authenticity of his actual life . The matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth