The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 9
... aesthetic elements predominate and the story of John and Mary grows elusive , most people feel out of their depth and are at a loss what to make of the scene , the book , or the painting . As they have never practiced any other attitude ...
... aesthetic elements predominate and the story of John and Mary grows elusive , most people feel out of their depth and are at a loss what to make of the scene , the book , or the painting . As they have never practiced any other attitude ...
Pagina 22
... aesthetic body . With this material the aesthetic process works , and its working consists in endowing the human nucleus with glamour and dignity . To the majority of people this is the most natural and the only possible setup of a work ...
... aesthetic body . With this material the aesthetic process works , and its working consists in endowing the human nucleus with glamour and dignity . To the majority of people this is the most natural and the only possible setup of a work ...
Pagina 76
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
... aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth