The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 31
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
... animal that was most fre- quent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands . What then ...
Pagina 165
... animal lives not from itself but from what is other than itself , pulled and pushed and tyrannized over by that other , is equivalent to saying that the animal always lives in estrangement , is beside itself , that its life is essential ...
... animal lives not from itself but from what is other than itself , pulled and pushed and tyrannized over by that other , is equivalent to saying that the animal always lives in estrangement , is beside itself , that its life is essential ...
Pagina 168
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth