The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 31
The animal that was most frequent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands .
The animal that was most frequent in the region and on which people depended for food acquired the prestige of something sacred . Such a sanctification implied the idea that a person must not touch that animal with his hands .
Pagina 165
... also discharges itself without any possible restraint or inhibition , just as its fear does . In either case it is the objects and events in its surroundings which govern the animal's life , which pull it and push it about like a ...
... also discharges itself without any possible restraint or inhibition , just as its fear does . In either case it is the objects and events in its surroundings which govern the animal's life , which pull it and push it about like a ...
Pagina 168
That is why the animal has always to be attentive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed ...
That is why the animal has always to be attentive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth