The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 31
The animal that was most frequent in the region and on which people depended
for food acquired the prestige of something sacred . Such a sanctification implied
the idea that a person must not touch that animal with his hands . What then ...
The animal that was most frequent in the region and on which people depended
for food acquired the prestige of something sacred . Such a sanctification implied
the idea that a person must not touch that animal with his hands . What then ...
Pagina 165
In either case it is the objects and events in its surroundings which govern the
animals life , which pull it and push it about ... To say , then , that the animal lives
not from itself but from what is other than itself , pulled and pushed and
tyrannized ...
In either case it is the objects and events in its surroundings which govern the
animals life , which pull it and push it about ... To say , then , that the animal lives
not from itself but from what is other than itself , pulled and pushed and
tyrannized ...
Pagina 168
That is why the animal has always to be attentive to what goes on outside it , to
the things around it . Because , even if the dangers and incitements of those
things were to diminish , the animal would perforce continue to be governed by
them ...
That is why the animal has always to be attentive to what goes on outside it , to
the things around it . Because , even if the dangers and incitements of those
things were to diminish , the animal would perforce continue to be governed by
them ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth