The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 18
This new sensibility is a gift not only of the artist proper but also of his audience .
When I said above that the new art is an art for artists I understood by “ artists ”
not only those who produce this art but also those who are capable of perceiving
...
This new sensibility is a gift not only of the artist proper but also of his audience .
When I said above that the new art is an art for artists I understood by “ artists ”
not only those who produce this art but also those who are capable of perceiving
...
Pagina 45
That can be done only if the artist repudiates reality and by this act places himself
above it . Being an artist means ceasing to take seriously that very serious person
we are when we are not an artist . This inevitable dash of irony , it is true ...
That can be done only if the artist repudiates reality and by this act places himself
above it . Being an artist means ceasing to take seriously that very serious person
we are when we are not an artist . This inevitable dash of irony , it is true ...
Pagina 46
but that the artist himself regards his art as a thing of no consequence . But then
again this does not accurately describe the situation . I do not mean to say that
the artist makes light of his work and his profession ; but they interest him
precisely ...
but that the artist himself regards his art as a thing of no consequence . But then
again this does not accurately describe the situation . I do not mean to say that
the artist makes light of his work and his profession ; but they interest him
precisely ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |