The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
Pagina 78
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i.e. , interests . Modern psychology has found
itself ...
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i.e. , interests . Modern psychology has found
itself ...
Pagina 171
Yet no sooner do the beings around him give him a moment of repose than man ,
making a gigantic effort , achieves an instant of concentration , enters into himself
, that is , by great labor keeps his attention fixed upon the ideas that spring up ...
Yet no sooner do the beings around him give him a moment of repose than man ,
making a gigantic effort , achieves an instant of concentration , enters into himself
, that is , by great labor keeps his attention fixed upon the ideas that spring up ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth