The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 146
But what was his authentic vocation ? I am not going to abuse your patience by
developing the theory of vocation for you - it implies a whole philosophy . I should
only like to call to your attention the fact that a vocation , although it is always ...
But what was his authentic vocation ? I am not going to abuse your patience by
developing the theory of vocation for you - it implies a whole philosophy . I should
only like to call to your attention the fact that a vocation , although it is always ...
Pagina 153
symbol , what is the definite reality which is symbolized in it , in what does his
authentic task consist ? If what he has to do , his task , is neither pots nor pans , it
must be something else . What ? What is true life , according to Goethe ?
Obviously ...
symbol , what is the definite reality which is symbolized in it , in what does his
authentic task consist ? If what he has to do , his task , is neither pots nor pans , it
must be something else . What ? What is true life , according to Goethe ?
Obviously ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth