The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be regarded as the real and authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 146
But what was his authentic vocation ? I am not going to abuse your patience by developing the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation , although ...
But what was his authentic vocation ? I am not going to abuse your patience by developing the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation , although ...
Pagina 153
symbol , what is the definite reality which is symbolized in it , in what does his authentic task consist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ? What is true life , according to ...
symbol , what is the definite reality which is symbolized in it , in what does his authentic task consist ? If what he has to do , his task , is neither pots nor pans , it must be something else . What ? What is true life , according to ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth