The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 55
It has become practically impossible to find new subjects . Here we come upon the first cause of ... As the store of possible subjects is more and more depleted the sensibility of the reading public becomes subtler and more fastidious .
It has become practically impossible to find new subjects . Here we come upon the first cause of ... As the store of possible subjects is more and more depleted the sensibility of the reading public becomes subtler and more fastidious .
Pagina 103
a " bulk , ” and become , rather , an insubstantial surface , an unbodied spectre composed only of light . Proximate vision has a tactile quality . What mysterious resonance of touch is preserved by sight when it converges on a nearby ...
a " bulk , ” and become , rather , an insubstantial surface , an unbodied spectre composed only of light . Proximate vision has a tactile quality . What mysterious resonance of touch is preserved by sight when it converges on a nearby ...
Pagina 175
It is thoroughly comprehensible that Pindar resumed his heroic ethics in the well - known imperative : “ Become what you are . ” The condition of man , then , is essential uncertainty . Hence the cogency of the gracefully mannered mot ...
It is thoroughly comprehensible that Pindar resumed his heroic ethics in the well - known imperative : “ Become what you are . ” The condition of man , then , is essential uncertainty . Hence the cogency of the gracefully mannered mot ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth