The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 55
It has become practically impossible to find new subjects . Here we come upon
the ... As the store of possible subjects is more and more depleted the sensibility
of the reading public becomes subtler and more fastidious . Works that yesterday
...
It has become practically impossible to find new subjects . Here we come upon
the ... As the store of possible subjects is more and more depleted the sensibility
of the reading public becomes subtler and more fastidious . Works that yesterday
...
Pagina 103
bulk , ” and become , rather , an insubstantial surface , an unbodied spectre
composed only of light . Proximate vision has a tactile quality . What mysterious
resonance of touch is preserved by sight when it converges on a nearby object ?
bulk , ” and become , rather , an insubstantial surface , an unbodied spectre
composed only of light . Proximate vision has a tactile quality . What mysterious
resonance of touch is preserved by sight when it converges on a nearby object ?
Pagina 175
It is thoroughly comprehensible that Pindar resumed his heroic ethics in the well -
known imperative : “ Become what you are . " The condition of man , then , is
essential uncertainty . Hence the cogency of the gracefully mannered mot of a ...
It is thoroughly comprehensible that Pindar resumed his heroic ethics in the well -
known imperative : “ Become what you are . " The condition of man , then , is
essential uncertainty . Hence the cogency of the gracefully mannered mot of a ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |