The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 47
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
... begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world . Other styles must be interpreted in con- nection with dramatic social or political movements , or ...
Pagina 110
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
... begins to be disregarded and have no other role than to serve as support and background for the light playing upon it . One studies the trajectory of light , emphasizing the fluidity of its passage over the face of volumes , over ...
Pagina 150
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
... begins to live in a direction contrary to his destiny , he begins a process of de - vivification . Measure becomes ex- cessive and supplants the substance of his destiny . Goethe is a fire which needs a great deal of wood . In Weimar ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth