The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 56
... believe that the genre of the novel , if it is not yet irretrievably exhausted , has certainly entered its last phase , the scarcity of possible sub- jects being such that writers must make up for it by the exquisite quality of the ...
... believe that the genre of the novel , if it is not yet irretrievably exhausted , has certainly entered its last phase , the scarcity of possible sub- jects being such that writers must make up for it by the exquisite quality of the ...
Pagina 76
... believe that action , as it is a merely mechanical element and aesthet- ically dead weight , ought to be reduced to a mini- mum . But at the same time , and with a view to Proust , I should consider this minimum indispen- sable . The ...
... believe that action , as it is a merely mechanical element and aesthet- ically dead weight , ought to be reduced to a mini- mum . But at the same time , and with a view to Proust , I should consider this minimum indispen- sable . The ...
Pagina 146
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth