The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 33
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
Pagina 49
... called their goddess . And a thing with ten thousand names all reality is , in a way . Its components and its facets are countless . Is it not brazen to attempt a definition of any thing , of the humblest thing , with a few names ? A ...
... called their goddess . And a thing with ten thousand names all reality is , in a way . Its components and its facets are countless . Is it not brazen to attempt a definition of any thing , of the humblest thing , with a few names ? A ...
Pagina 74
... called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason for this necessity is to be found in a general law of the human soul which deserves a brief exposition . ACTION AND CONTEMPLATION More than ...
... called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason for this necessity is to be found in a general law of the human soul which deserves a brief exposition . ACTION AND CONTEMPLATION More than ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth