The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 26
Instead of delighting in the artistic object people delight in their own emotions ,
the work being only the cause and the alcohol of their pleasure . And such a quid
pro quo is bound to happen whenever art is made to consist essentially in an ...
Instead of delighting in the artistic object people delight in their own emotions ,
the work being only the cause and the alcohol of their pleasure . And such a quid
pro quo is bound to happen whenever art is made to consist essentially in an ...
Pagina 39
Only now that this is done can we proceed to ask of which new general style of
life modern art is the symptom and the harbinger . The answer requires an
analysis of the causes that have effected this strange about - face in art . Why this
desire ...
Only now that this is done can we proceed to ask of which new general style of
life modern art is the symptom and the harbinger . The answer requires an
analysis of the causes that have effected this strange about - face in art . Why this
desire ...
Pagina 55
Here we come upon the first cause of the enormous difficulty , an objective not a
personal difficulty , of writing an acceptable novel at this advanced stage . During
a certain period novels could thrive on the mere novelty of their subjects which ...
Here we come upon the first cause of the enormous difficulty , an objective not a
personal difficulty , of writing an acceptable novel at this advanced stage . During
a certain period novels could thrive on the mere novelty of their subjects which ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth