The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 24
gestive word , will declare that the works of this painter have " character . ” And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which ...
gestive word , will declare that the works of this painter have " character . ” And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which ...
Pagina 64
Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes off for ... The aristocratic audience enjoys the exemplary and normative character of the tragic happenings .
Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes off for ... The aristocratic audience enjoys the exemplary and normative character of the tragic happenings .
Pagina 129
You found yourself with a body , a soul , a character , as you found yourself with the capital which your parents left you , with the country in which you were born , and with the human society in which you move .
You found yourself with a body , a soul , a character , as you found yourself with the capital which your parents left you , with the country in which you were born , and with the human society in which you move .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |