The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 24
And character and not style is distinctive of the works of Lucas and Sorolla , of
Dickens and Galdós . The eighteenth century , on the other hand , which had so
little character was a past master of style . MORE ABOUT THE
DEHUMANIZATION ...
And character and not style is distinctive of the works of Lucas and Sorolla , of
Dickens and Galdós . The eighteenth century , on the other hand , which had so
little character was a past master of style . MORE ABOUT THE
DEHUMANIZATION ...
Pagina 64
Sentiments and characters are taken from without as a whole and used as a
springboard from which the drama or adventure takes off for its ... The aristocratic
audience enjoys the exemplary and normative character of the tragic happenings
.
Sentiments and characters are taken from without as a whole and used as a
springboard from which the drama or adventure takes off for its ... The aristocratic
audience enjoys the exemplary and normative character of the tragic happenings
.
Pagina 129
You found yourself with a body , a soul , a character , as you found yourself with
the capital which your parents left you , with the country in which you were born ,
and with the human society in which you move . Just as you are not your liver , be
...
You found yourself with a body , a soul , a character , as you found yourself with
the capital which your parents left you , with the country in which you were born ,
and with the human society in which you move . Just as you are not your liver , be
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |