The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 40
Baudelaire praises the black Venus precisely because the classical is white . From then on the successive styles contain an ever increasing dose of derision and disparagement until 40.
Baudelaire praises the black Venus precisely because the classical is white . From then on the successive styles contain an ever increasing dose of derision and disparagement until 40.
Pagina 63
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
Pagina 92
... when reading the classical historians . The psychology they use seems inadequate and vague and far from satisfying our apparently subtler taste . Novelists and historians will hardly fail to make use of this progress of psychology .
... when reading the classical historians . The psychology they use seems inadequate and vague and far from satisfying our apparently subtler taste . Novelists and historians will hardly fail to make use of this progress of psychology .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |