The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 40
Baudelaire praises the black Venus precisely because the classical is white . From then on the successive styles contain an ever increasing dose of derision and disparagement until 40.
Baudelaire praises the black Venus precisely because the classical is white . From then on the successive styles contain an ever increasing dose of derision and disparagement until 40.
Pagina 63
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
But this question deserves more comment , and it invites us to seek further orientation through a comparison of the classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points ...
Pagina 92
... when reading the classical historians . The psychology they use seems inadequate and vague and far from satisfying our apparently subtler taste . Novelists and historians will hardly fail to make use of this progress of psychology .
... when reading the classical historians . The psychology they use seems inadequate and vague and far from satisfying our apparently subtler taste . Novelists and historians will hardly fail to make use of this progress of psychology .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |