The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 40
... is taken into account as a factor of aesthetic pleasure . Baudelaire praises the
black Venus precisely because the classical is white . From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
... is taken into account as a factor of aesthetic pleasure . Baudelaire praises the
black Venus precisely because the classical is white . From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
Pagina 63
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
Pagina 92
... reading the classical historians . The psychology they use seems inadequate
and vague and far from satisfying our apparently subtler taste . Novelists and
historians will hardly fail to make use of this progress of psychology . Humanity
has 6.
... reading the classical historians . The psychology they use seems inadequate
and vague and far from satisfying our apparently subtler taste . Novelists and
historians will hardly fail to make use of this progress of psychology . Humanity
has 6.
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |