The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 88
The sculptor was concerned with nothing but to model all those forms one after another . We still seem to feel the trembling delight with which the hand set down the arched brow of the ram Abraham espied in the thicket , and the plump ...
The sculptor was concerned with nothing but to model all those forms one after another . We still seem to feel the trembling delight with which the hand set down the arched brow of the ram Abraham espied in the thicket , and the plump ...
Pagina 128
In the last analysis , they are concerned with going around Goethe . They are therefore concerned to produce a figure whose external form is extremely clear , which presents no problems to the eye , which is all in sweeping lines .
In the last analysis , they are concerned with going around Goethe . They are therefore concerned to produce a figure whose external form is extremely clear , which presents no problems to the eye , which is all in sweeping lines .
Pagina 166
But with this essential difference - that man can , from time to time , suspend his direct concern with things , detach himself from his surroundings , ignore them , and subjecting his faculty of attention to a radical shift ...
But with this essential difference - that man can , from time to time , suspend his direct concern with things , detach himself from his surroundings , ignore them , and subjecting his faculty of attention to a radical shift ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |